James Blake Overgrown Rar

James Blake Litherland (born 26 September 1988) is an English singer, songwriter, multi-instrumentalist, and record producer from London.He first received recognition for a series of 2010 EPs including CMYK and Klavierwerke, and he released his self-titled debut album in 2011 to critical praise. His second album Overgrown was released in 2013, bringing him to. James Blake may lose some fans with the tamer, more sultry sounds of Overgrown. But he’s going to gain a lot more. But he’s going to gain a lot more. Without the cut-and-paste dubstep, his music suddenly becomes quite radio friendly (“Life Round Here” screams FM).

Overview

With his 2011 debut full-length, dubstep-via-fractured R&B producer James Blake delivered on the promise of his earlier singles while at the same time overhauling his sound, moving away somewhat from the sample-heavy dubstep of those tracks to a sparser atmosphere. The album focused more on Blake's equally haunted piano and vocal lines, submerged elements of implied rhythms, dubstep's subsonic bass resonance, and ghostly samples to create a picture of restraint and contained emotional upheaval. The album felt not so much like the calm before the storm, but like silently watching a hurricane slowly and soundlessly move closer from the distance. Sophomore album Overgrown offers a similar feeling, but Blake approaches the songs here with even more restraint and a subtly deconstructed take on pop. Subtlety is perhaps Blake's greatest attribute on Overgrown, with what could even be the album's heaviest moments blurring into a pleasantly melancholy whole through deft production choices. Take for instance 'Take a Fall for Me,' a partially rhythm-less track featuring Wu-Tang's RZA in an extended set of rhymes over a looping sample of static and processed backing vocals, and samples that recall Tricky's earliest work. The jagged edges of a track like this could render it awkward with more obvious production, but Blake's touch pushes even RZA's toughest verses into a rainy, lamenting place. The skeletal piano of the debut returns on tracks like 'DLM' or the gorgeous album-closer 'Our Love Comes Back,' which has the faintest hints of Chet Baker's springtime loneliness buried in Blake's mumbling blue-eyed R&B vocals. Brian Eno even shows up to collaborate on the sputtering rhythms of 'Digital Lion,' perhaps the most hyperactive track here, though only in relative terms. Somewhere between the vacant echoes of dub and trip-hop, dubstep's sample-slicing production, and the contained heartbreak of a singer/songwriter playing piano to himself in an empty room, Blake has crafted Overgrown. It's understated to the point of invisibility at times, with Blake subtracting even himself from the songs, allowing the lead vocals or hooks to be consumed by the song at large. Though the stormy textures and somber reflections are pretty specific to a particular mood, Overgrown finds and fits that mood perfectly. While it might take listeners a few spins to find the right head space for the album, once they get there, it's an easy place to get lost in.
14-10-2020, 23:16
Discography | Alternative | Indie | Electronic | FLAC / APE

Artist: James Blake
Title: Discography
Year Of Release: 2011-2016
Label: Atlas Recordings, Polydor, Warp Records...
Genre: Electronic, Dubstep, Indie Electronic, Alternative, Singer-Songwriter
Quality: 16 (83.9%); 24 (16.1%) bit / 44100 Hz
Total Time: 7:54:05
Total Size: 2.92 GB
WebSite: Album Preview
Bio

James Blake Overgrown Album Zip

OvergrownInfluenced by the likes of D'Angelo and Stevie Wonder along with Burial and Mount Kimbie, London-based producer, singer, and songwriter James Blake first gave the world a taste of his quirky, R&B-sampling strain of dubstep in 2009 when his Air & Lack Thereof 12' appeared on the Hemlock label. Blake received quite the endorsement when the heralded Soul Jazz label picked the track up for their Steppas' Delight 2 compilation that same year. Blake raised his profile every few months during 2010 -- something of a breakout year for him -- with a succession of warmly received 12' releases: The Bells Sketch (Hessle Audio, March), CMYK (R&S, June), Klavierwerke (R&S, October), and the single-sided 'Limit to Your Love' (Atlas, November). The last of the series -- a cover of a song by Feist, in which Blake's heartfelt vocal was placed front and center -- served as a precursor to his first full-length, issued the following February. Titled James Blake, it left a major impression, and was eventually nominated for a Mercury Prize but lost to PJ Harvey's Let England Shake.James Blake Overgrown Rar
OrderBlake returned to Hemlock for the Order 12', then reverted to Atlas for Enough Thunder, a six-track EP with a Bon Iver collaboration and a cover of Joni Mitchell's 'A Case of You.' Yet another 12', Love What Happened Here, was out by the end of 2011. Blake spent much of 2012 working on his second album, releasing new work under the name Harmonimix, and performing less often as the new songs percolated. In April 2013, second album Overgrown appeared, featuring collaborations with Brian Eno and RZA. It won that year's Mercury Prize, and Blake's songwriting was acknowledged when 'Retrograde,' one of the album's highlights, won an Ivor Novello Award in the category of Best Contemporary Song. Little, apart from an Airhead collaboration and an EP on his 1-800 Dinosaur label, was heard from Blake for three years. He resurfaced in April 2016 with contributions to Beyoncé's Lemonade. A couple weeks later, The Colour in Anything, his third album, arrived with only a few hours of advance notice. Recorded in England and at Rick Rubin's studio in Malibu, California, it included input from Bon Iver and Frank Ocean. The album peaked within the Top 40 of the Billboard 200 and topped the U.S. Dance/Electronic chart. That year, Blake also contributed to Frank Ocean's Endless, Vince Staples' Prima Donna, and Travi$ Scott's Birds in the Trap Sing McKnight. He continued into 2017 with appearances on Jay-Z's 4:44 and Mount Kimbie's Love What Survives, while also producing 'Element' for Kendrick Lamar's DAMN..
Blake

James Blake Overgrown Rare


Download:
2011 James Blake - James Blake 16-44.1 FLAC.rar - 339.1 MB
2013 James Blake - Overgrown 16-44.1 FLAC.rar - 231.0 MB
2016 James Blake - The Colour In Anything 16-44.1 FLAC.rar - 433.9 MB
2016 James Blake - The Colour In Anything 24-44.1 FLAC.rar - 812.6 MB
2019 James Blake - Assume Form 16-44.1 FLAC.rar - 281.9 MB
James Blake single ep.rar - 896.7 MB

James Blake Overgrown Album


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